I have acquired a few new props this year so it was time to change up our family room Christmas decorations.
I’ve had this cubby for a long time from a trip to Walnut, Iowa’s Father’s Day weekend antique walk with Terri Larson.
I love the old Japan Santas. Some of them seem to be telling eachother jokes! My bear Peppermint holds a tiny brown bear by Susan McCay.

This cubby was purchased at Urban Finds from the Rusty Pumpkin. It contains a bunch of my antique sheep and houses and some of my own Santas and a bear. I don’t remember where I found the cheese box. Santa on Sheep by Iowa artist Christy Robb. Santa Bear by Missouri artist Edna Bossert who has retired from bear-making.

Once again, I have placed the tall white tree in the corner of the hearth filled with my collection of Steiff ornaments. The picket fence was from Junk Jubilee Jingles and the sign is from Once Upon a Barn. The Linda Dorr bear wears a pair of red suede lederhosen I discovered at Found Things. The realistic Westie is from Hansa. The red bear under the tree is by Pat Murphy. I love the little wooden train that I got at Urban Finds in December.

Here’s the Christmas Cabinet:




Each year the Festival of Trees and Lights in Des Moines benefits one of my favorite charities – Blank Children’s Hospital. Although none of my children were actually patients there, two of them made plenty of trips to the emergency room when they were little daredevils!



Well, the big day is finally here. We’ve been working for weeks on this project and now we see the fruits of our labor. We’ve spent countless hours designing new pieces, creating them, photographing them, working on the website, spreading the word through Facebook. As usual, we’ve learned a lot along the way.
I am working on a container squirrel for the September 8-9, 2012 show to benefit the International Rett Syndrome Foundation. I thought I would show you some of the process of making a needle felted container sculpture. Of course, I didn’t think of documenting it until I was pretty far along in the process, but let’s just say I start with a lump of clean carded wool and a barbed needle. Then I start poking the wool with the needle until the wool fibers interlock and form a solid mass. As I work, I sculpt and tease the wool into the form I want.


Now I have laid in another color over the entire body to give it depth and a more natural look. I’ve set the onyx bead eyes and formed the white eyelids. He looks a little startled. (Rowdy was glued to my side during most of the process!) I might opt for slightly larger eyes…
His little front paws will have something to hold in the finished piece. I used the underlying darker color to mark the mouth leaving it exposed and felting in the white muzzle around the lines.
Here you can see how I have added layers of fluff to the tail. Some of the basic structure has been removed now. I will continue to work in some subtle shading, adding and taking away fluff and defining the area where the tail rests against the back.
Another look at the separate parts.
I got this sad little bear at the Midwest Art and Antique Show in Cedar Rapids, Iowa on April 1. In addition to almost non-existant paw pads, his ears had been inexpertly reattached, the eyes were replacements, too large and pulled in too tight, and his nose and mouth were redone poorly with heavy thread. The dealer thought he had character, but I thought he needed my help!
You can see by this photo that he has pretty classic proportions. At this point, I had removed the offending eyes and tried to move some of the packed excelsior into his muzzle area.
I removed his ears which were mashed over with the raw edges showing. I washed them while they were off. I also gave him a new nose and mouth with lighter weight thread more appropriate to a bear his size (10 inches). Since he will still be somewhat bald, I gave him a sparse nose.
Here’s the little guy cleaned up with his face put back the way it should be. I think he is pretty cute. Now what should I do about the non-working squeaker and those worn-out paw pads?

In the last row, I found a reproduction cloth doll with a clay head and painted head, hands and legs. I loved her face and her price was reasonable, plus the dealer came down on her, so she went in my bag with the quilt and elephant. (She’s the doll on the left holding the bear I found.)
We had seen Bailey in Kansas City Jubilee, but we hadn’t seen Emma for a year and nine months and she had really grown! Her hair is so long and pretty and she looked particularly fetching in this side braid.






Mud Pies and Sassafras Tea